For the second time in its long, illustrious career, the 2024 version of the ÌÇĐÄvlogčÙÍűâ Project Poet finale ended in a tie for first place.
This yearâs title of Poet Laureate of the Sprada Valley was shared by Seria S. Cash, a senior psychology major from The Bahamas; and Jorge Mendoza, a senior media production and psychology major from El Salvador.
It was the second tie in the history of the annual competition that began in 2006 as the brainchild of Professor of English Dr. David Strain. Each fall, students from all disciplines across campus test their wit and creative writing and poetry skills in weekly challenges against fellow classmates with large cash prizes and the title of Poet Laureate of the Sprada Valley on the line.
Rounding out the top five in this yearâs Project Poet were Catasia Ferguson in third, Melissa Coronado in fourth and Tad Pshigoda finishing fifth.
For Mendoza, who wore his lucky fur trapper hat throughout the competition, his third attempt in Project Poet proved to be the charm.
âWinning project poet for me was a dream come true since this is the third year I have participated,â he said. âIt felt like finally achieving a goal that I have been working on for so long. On top of that, this is my senior year, so it was my last chance of making it. Something that feels special for me about this is that counting the final, I managed to win three rounds in a row, one per each year I have participated, a funny little coincidence.â
He said waiting for the judges to announce their decision was gut-wrenching.
âI was running around the auditorium thanking the people who had come to kind of ease my mind,â Mendoza said. âWhen the time to announce the winners came, I was shaking in my seat clutching my so called âlucky hatâ that I wore that night. One by one they revealed the places until Dr. Amy Oatis said that we had both won. I literally jumped out of my seat and started dancing due to how happy I was, because it meant that I had finally made it.â
Cash, who will graduate from Ozarks this month, said winning the competition was a validation of sorts.
âWinning Project Poet means that I ought to see and hear myself the way others do â as worthy and deserving,â she said. âThey say you are your biggest critic, and worst enemy to yourself. For me, that saying holds truth. On the final night of Project Poet, I too was a judge. I judged myself and my competitors, but I was nowhere near first on my rubric â I was third or second at best. I didnât expect to win because I had told myself that I wasnât going to. Imaginably so, when it was revealed that I had won, I was taken aback.â
Cash, competing in her first Project Poet, said one of the most difficult aspects of the contest was going against her fellow classmates and friends.
âIt was the utmost and undeniable act of betrayal â at least thatâs what it felt like,â she said. âBut aside from the theatrics, some of the people I competed with were not just my classmates, but friends, and to see them being eliminated round after round truly left me hurt.â
Mendoza said his approach to writing poetry involved what he called âprocesses.â
âThey are my way of keeping track of things that I need to do in my mind, so things like classes, assignments, or just generally thinking about something, are processes that my mind runs,â he said. âI essentially mulled over the prompt for about a week, ârunningâ a process in the background of my mind, constantly trying to get an idea. Once I reached an idea that I liked, I would sit down and start thinking about it. What do I want to say about this idea? How do I feel about this? Is there something different I can show? And then I would just write and edit as I move through the poem, always making sure to follow the rules given to us.â
Cash said she based her poetry writing on the concept of âtruth.â
âI also like to play around with words and the stories I tell, and how I do it; it makes it not only fun for me, but for my audience,â she said. âIt also shows the witty and playful side of myself. But if Iâm being honest, aside from the constrictions of form, I donât have a grand methodical way of writing poetry. I rely on my foundation of truth and the stories life has given me.â
Cash said the challenge of writing sonnets was her most challenging, and also favorite, format.
âMy favorite type of poetry was the sonnet; more specifically, it was listening to Jorgeâs sonnets. They were absolutely beautiful,â she said. âIronically, the most challenging for me was the sonnet. It had almost pushed me to drop out of the competition. Overall, all forms of poetry are challenging, and the rhyme scheme of sonnets, in my opinion, is the most difficult to master, especially as it relates to connections and what youâre trying to express in 14 lines.â
Cash said competing in Project Poet made a significant impact on her.
âIf youâre not careful, a creative mind will get crushed by the weight and pressures of others,â she said. âFor a long time, my mind was burdened down with that weight. Competing in Project Poet, I must say, freed me. It reminded me of why I began or was given the gift of writing and performing. When I write and perform, I do all those things and more for ⊠me.â
Mendoza found Project Poet liberating as well.
âIt has been a nice reminder that there people that are not only willing but also want to listen to you,â he said. âPoems are inherently sentimental, so it can be a bit embarrassing to show certain sides of yourself. But having people I havenât talked to before approach me after the winning poems were posted, to say how much they liked mine and congratulate me has been eye-opening.â
Seria Cash
Independence for Sale (Nature)
I didn’t know that my kind were cannibals: They’ll peel the skin off each other with their teeth, rip limbs apart with their hands, eat them, then serve it to their children.
I didn’t know that women were flowers and men-gardeners: My father told me, âhoney, that’s the way it’s supposed to beâ. But all I ever see, is men taking their sons into gardens to plough the ground and destroy them.
I didn’t know that my eyes were broken: My kind donât look like me no more, and I feel like I’m the only one who sees the color Black. Am I? A lot of my sisters and brothers prefer to see the color White.
I didn’t know criminals dressed up as policemen: I saw one rob a man who looked like him, but spoke a different language. Weâre afraid, so tell me, who are we supposed to go to for help?
I didnât know that pullin, pushin, and poverty was the holy trinity of my country: Sometimes, God donât exist here.
I didn’t know that this rock is still a slave to the hands who throw money at it: Thank you sir, are you enjoying your stay mam? Will that be all?
I didn’t know that a leader became a mother during election: Now, he has to take care of his home and his children-who, will put him to death without trial, when water begins to drip from roof tops.
I didnât know my island was a prostitute: While her voyeur children watch, moguls spread her legs open and plant seeds of capitalism inside of her.
I didnât know what it meant to be Bahamian: The colors Yellow, Black, and Aquamarine have been washed dry into Red, White and Blue.
I didnât know my society was segregated: Why does the West bleed money and power when the East bleeds blood and poverty? I rarely see a white man or woman, but when I do, I always wonder if they breathe the same air that I do.
I didn’t know polygamy was my countryâs âsweetheartâ: I don’t want God to punish me for not having a sweet heart.
I didnât know the older generation depended so much on the younger generation: Iâm sorry, there hasnât been any sign of a black Moses who will lead us to freedom again.
I didn’t know that youâd be interested: The government said people 17 and under have no sense, no voice, but at 16 are able to give consent, when that makes no sense.
I didn’t know I lived in a jungle.
I thought my home was supposed to be paradise.
I thought I was supposed to have a better life.
I thought I was free.
At least now
I know how much my independence is worth.
God You are Hope (Cinquain Poem)
You are
Hopeâa calling
For people far greater
Than the nature of their sinsâGod
Youâre Hope
Love Switches
Walk away, how can I? Leave everything
Years love, granted love under conditions
God promises, Love switches on and off
Hate reflections of my design
Iâll stay, I stayed, Iâm staying
Iâll leave, I left, Iâm leaving
Iâm back
Addiction yeah you feed me
Sustain me, under promises
I need you to keep
Is it all or hole?
Youâre angry and youâre empty
No one understands, youâre unheard of
Youâre invisible, no one listens
The ones you want to listen donât
Listen such a naive girl
Forgive me, Forgive you, forgive I
Forgive the love switches
That are a part of my design
Theyâre by design
By default it is my design
Break myself then rewind
Repeat all over again
Jorge Mendoza
Prayers
I remember how I used to pray
Hands clasped together, down on my knees
âHey God! How are you?
Can I get a puppy for Christmas please?â
It was childish, it was naive
But it was pure and sincere
I would talk to you, share with you
Tell you about my life
âHey God! So⊠there is this person I likeâŠâ
It was all so beneath you
But you didnât seem to mind
Even as I got older, it was just like Father and child
Then something changed
It was different, strange
Like a numbing pain
Down on my knees, hands clasped
Fearful of the answer I asked
âGod, you love me right?â
I was confused, alone
Felt tainted and impure
Aware of my nature
Unworthy of attention
âAre you even there?
Why not spare me the pain
Answer me
why was I made this way?â
Steeped in frustration
Driven by hurt
I hardened my heart and ceased to talk
Yes I felt hatred but not towards you
It was myself I disdained
A truth misunderstood
Down on my knees and my hands clasped
I come back to you and in prayer I ask
âHey God, are you there?
Iâm sorry I left, I made a mistake
Iâll open my heart and Iâll forgive myself
Can we somehow start again?
I hope you can hear me, here I will wait
Please forgive me, amenâ
Love
Iâve spent many nights staring at the ceiling
Trying to understand it, that stupid feeling,
That four-lettered word, That beautiful bastard
the one we call love
Love is the wine that makes fools of the wise
That Burning emotion
That sets stories in motion
The one that makes great speakers, tongue-tied
And the bravest of warriors, out of nowhere feel shy
Love is the reason we ignore thorns on roses
That blinding light that hearts exposes
Love is the water from which we all drink
It is also the reason why we forget to think
Love is the thread from which bonds are woven
That turns strangers to friends and friends into brothers
It is the fire that burns in the oven
It is the bread we share, with one another
Love is painful, deceiving and cruel
It is comforting and healing,
Of our engine, the fuel
Love is the reason there was a war in Troy
Why The Redeemer was put on the cross
A great celebration, a source of joy
Powerful, nurturing, beautiful and pure
Nature
driving over man made concrete structure
over the river valley the sun sets
colors and light paint a divine picture
lazy flowing water the cliffs besets
the sky and water reflect each other
two halves opposing yet one and the same
trees, birds, water, and rocks calm, unbothered
great majestic beauty truly untamed
as I keep driving I am reminded
nature is the one that holds the power
I witness creation, mind enlightened
Truly, before itâs might I should cower
All-encompassing, perfect designer
In the grand scheme of things I am minor
Topics: Campus Life